Palladian window a nod to the ancients. Art Moderne railing is Art Deco. Clear delights unencumbered by decay. |
Tuesday, November 10, 2015
Creedmoor Psychiatric Center,Queens Village, Queens, New York
The sprawling Creedmoor campus was constructed in 1912 in Queens Village as the Farm Colony of Brooklyn State Hospital, one of hundreds of similar psychiatric wards erected at the turn of the century to house and rehabilitate those who were ill equipped to function on their own. Musician Lou Reed and jazz pianist Bud Powell were treated at Creedmoor. Legendary folksinger Woody Guthrie, who had been institutionalized for years while suffering from Huntington's disease, was transferred to Creedmoor in June 1966 and died there in October 1967.
Living Museum at Creedmoor Psychiatric Center, Queens Village, Queens, New York
The Living Museum is an art studio dedicated to presenting the art produced by patients at the Creedmoor Psychiatric Center, the largest state psychiatric care institution in New York City.
The founders of the Living Museum were two scholars, Bolek Greczynki and Janos Marton, who sought asylum in the United States in the early 1970s. Their idealism, influenced by ongoing studies of the work of AndrĂ© Breton, Jean Dubuffet, Meret Oppenheim, Hans Prinzhorn and Leo Navratil, led them to start the project of an ever growing refuge of Art Brut in New York City. Dedicated to beauty, the arts and healing, in collaboration with self-taught artists who had experienced the burdens of the world, the project space was initiated as a conceptual performance “taking place in the formless and fleeting (vergaenglich) sphere of trust in the patient, the prejudice of the spectators and the actual work of the artists in the space.” The Living Museum became, for several decades, a space where each participant could develop a sense of ownership and foster their inherent creative talents in any sphere of the Arts.
The founders of the Living Museum were two scholars, Bolek Greczynki and Janos Marton, who sought asylum in the United States in the early 1970s. Their idealism, influenced by ongoing studies of the work of AndrĂ© Breton, Jean Dubuffet, Meret Oppenheim, Hans Prinzhorn and Leo Navratil, led them to start the project of an ever growing refuge of Art Brut in New York City. Dedicated to beauty, the arts and healing, in collaboration with self-taught artists who had experienced the burdens of the world, the project space was initiated as a conceptual performance “taking place in the formless and fleeting (vergaenglich) sphere of trust in the patient, the prejudice of the spectators and the actual work of the artists in the space.” The Living Museum became, for several decades, a space where each participant could develop a sense of ownership and foster their inherent creative talents in any sphere of the Arts.
Pink Floyd "The Wall" painted on straitjacket, John Tursi, artist |
Gallery entrance |
chatting with Hungarian founder of Living Museum, Janos Marton |
remnants of kitchen ovens |
Issa Ibrahim |
Issa Ibrahim |
Picasso knockoff, John Tursi |
John Tursi |
John Tursi, horses, male well hung |
John Tursi |
John Tursi, French curve motif |
relic dental chair |
skyview, from2nd floor balcony |
Fountain Gallery exhibit (Jan, 2010) brochure |
one last look |
Sunday, November 8, 2015
Movie Stars' Homes, Bayside, Queens, New York
During the 1910s and 1920s, movie stars of the silent screen gravitated to mansions on Little Neck Bay in Bayside, close to Astoria, the Hollywood of it's day. Producer Joseph Schenck and his movie-star wife Norma Talmadge were most notable. Buster Keaton, Gloria Swanson, and W.C. Fields were also regular fixtures.
Schenck compound |
Gloria Swanson guest house, Summer 1923 |
boxer James "Gentleman Jim" Corbett, Corbett Rd. |
Crocheron Park, Bayside, Queens, New York
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